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Nowadays, we will find that the ad maker have
tried to use source, message and channels that connects with the targeted
audience in the most effective manner even though it means shying away from the
conventional way of using these controllable variables of communication system.
We will be looking at three things in detail:
· Sources -> How they influence reactions to
promotional messages and why one type of communicator is effective than another
· Messages ->
How structure and type of appeal influence its effectiveness
· Channel
-> How factors relate to channel or medium affect the communication process
Promotional
Planning through PERSUASION MATRIX
The
persuasion matrix helps assess the effect of controllable communication decisions
on the consumer’s response process
·
Receiver/ Comprehension -> Can the receiver comprehend the ad?
· Channel/
presentation -> Which
media will increase presentation?
· Message/
yielding
-> What type of message will create favorable attitudes or feelings?
·
Source/ attention -> Who will be effective in getting
consumers’ attention?
SOURCES
SOURCE
FACTORS
Person
involved in communicating a marketing message, either directly or
indirectly
Celebrity
endorsement
SOURCE
ATTRIBUTE & RECEIVER PROCESSING MODES
SOURCE
CREDIBILITY
Two
important dimensions
·
Expertise
·
Trustworthiness
SOURCE
ATTRACTIVENESS
·
Similarity
(Relevant to me/ my life)
· Familiarity (knowledge of source through
exposure)
· Likability (Celebrities)
CELEBRITIES
USE OF CELEBRITIES
· Endorsements: The celebrity, whether an expert or not,
merely agrees to the use of his or her name and image in the promotion of
the product.
· Testimonials: The celebrity, usually an expert with
experience with the product, attests to its value and worth.
· Dramatizations: Celebrity actors or models portray the brand
in use during dramatic enactments designed to show the goods.
RISKS
OF USING CELEBRITIES
·
The
celebrity may overshadow the product
· The celebrity may be overexposed which
reduces his or her credibility
· The target audience may not be receptive to
celebrity endorsers
·
The
celebrity’s behavior may pose a risk to the company
MESSAGES
MESSAGE
FACTORS
·
Message
Structure
· Order of presentation (primacy vs. recency):
For Strongest Arguments
· Conclusion Drawing (open vs. closed end):
Explicit conclusions easily understood. High educated andegoistic: Open
preferred
· Message sidedness (one vs. two-sided): Only
+ve vs Good/Bad points
· Refutation: Both sides of issue presented,
then refutes the opposing view point
·
Verbal vs.
visual
MESSAGE
RECALL ANDPRESENTATION ORDER
·
Research on
learning and memory generally indicates that items presentedfirst and last are
remembered better than those presented in the middle
· Think about the last TVC you saw - what all
do you remember?
·
One of the
reasons why product shot is towards the end of a commercialalong with a
sign-off message/ brand logo
Ad message recall as a function of order of
presentation
MESSAGE
FACTORS
·
Message
Appeals
· Comparative Advertising
· Fear Appeals
·
Humor Appeals
FEAR
APPEAL AND MESSAGE ACCEPTANCE
PROS
AND CONS OF USING HUMOR
Advantages
·
Aids
attention and awareness
·
May aid
retention of the message
·
Creates a
positive mood and enhances persuasion
·
May aid name
and simple copy registration
·
May serve as
a distracter and reduce the level of counter arguing
Disadvantages
·
Does not aid
persuasion in general
·
May harm
recall and comprehension
·
May harm
complex copy registration
·
Does not aid
source credibility
·
Is not
effective in bringing about sales
·
May wear out
faster
CHANNELS
CHANNEL
FACTORS
·
Personal
versus non personal channels
· Effects of alternative mass media
o Externally paced media (broadcast)
o Internally paced media (print, direct mail,
Internet)
· Effects of Context and Environment
o Qualitative media effect
o Media environment (mood states)
·
Clutter
The
context in which an ad appears and the reception environment are important
factors to consider in the selection of mass media. Clutter has become a
serious problem for advertisers, particularly on TV, where commercials have
become shorter and more numerous
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